The Supermarket S-Mart repeatedly mentioned. End Roll [2. Board James: Mr. Alan Wake Video Game Similar windmill. Shou urodov Short One creature dividing into two, starting with a head. Kickassia Video Poster of the movie seen behind Board James.
Scream 4 Poster on the classroom wall. I'm the guy with the gun," "Groovy," and "Hail to the king, baby! Killer Stories Video Poster seen on wall. One Day Briefly talked about. The title is also shown on a theatre's marquee.
Scarlet Short The moving shot through the woods, from Scott's point of view, was majorly influenced by the "Evil Dead Trilogy. The Cabin in the Woods The betting board includes "deadites". Bullied Short Moving shot from bully's P.
Mass Effect 3 Video Game "Shop smart. Nos Astra. La casa nel vento dei morti Reference in the film' s scene is the fight between Attilio and Ines. Ice Age: Continental Drift Playing the fibula like a flute. Ash and Sam are both played by Bruce Campbell.
The Baytown Outlaws Rose paraphrases the famous line, "this is my boomstick! The Rep There's a poster of it in a movie theatre. The title also appears elsewhere. Django Unchained Similar shots of chain gangs in deserts. Rewind This!
Poker Night 2 Video Game The events of the movie are greatly referenced. Adjust Your Tracking Video case is shown. American Horror Story: Burn, Witch. Llamageddon The movie is mentioned as superior to the Evil Dead movies. Chopping Block Donnie mentions the movie to explain his plan to turn Steve into a "weapon-handed man on drugs". Midnight Desperado Short There is a "This is my boomstick! It's the one that changes the channel from Halloween Puppy to Army of Darkness.
Convergence Ben's T-shirt slogan. Ash vs. After Linda guesses incorrectly, Shelly lies and says she is right. Henrietta Knowby was a character first introduced in Evil Dead 2. She was the wife of Professor Raymond Knowby, who discovered the Necronomicon. The deadite version of Henrietta was a grotesque overweight demon, played by Ted Raimi.
After Henrietta turns into her fourth form, she grows a long neck, which makes it easier for Ash to cut with his chainsaw arm. Near the beginning of Evil Dead 2 , Ash tries to leave the cabin only to discover that the bridge to safety has been destroyed.
At the end of Evil Dead 2 , Ash gets sucked into a vortex , which lands him in the Middle Ages and forces him to fight hordes of deadites to get back to the present day. Upon arriving in AD, a knight challenges Ash to a sword fight. See this? This… is my boomstick! Initially, Ash wants nothing to do with helping the people in AD defeat the army of the undead. All he wanted to do was go back to the present day and live his life, but he becomes romantically involved with a woman named Sheila played by Embeth Davidtz.
Before Ash goes on his journey to find the Necronomicon Ex-Mortis, he visits with the Wise Man, but during their meeting, a woman turns into a deadite and threatens Ash.
He never disappoints. Robot on USA. And they all like to hack. All right, that should hold you over for the weekend. Facebook-f Twitter. Dressed To Kill For Oblivion. Bruce Campbell would be retaining the role of Ash and he is living in a trailer park. The story takes off some 20 years after the events of Army of Darkness. The main takeaways for me were: The Raimi brothers have put a considerable amount of time and thought into this. They wanted to initially make a 4th movie but then they quickly realized there was so much Ash material they could explore, they wanted to make it into a weekly series.
More than any other genre, horror is confrontational. More often than not, fantastical monsters, horror icons, and Scandinavian death cults are masks placed over the very real terrors felt by the filmmakers that create them and the audiences that consume them. From its earliest days, horror was seen as a tool for social and political reflection. The Cabinet of Dr. Nosferatu reflects on the fears and aftermath of a plague that had ravaged Europe and the world just a few years before. Or consider the moral outrage ascribed to films like Peeping Tom , The Texas Chain Saw Massacre , and Friday the 13th , all films that are considered acceptable, perhaps even tame today.
Or to take a more extreme example, Ruggero Deodato, the director of Cannibal Holocaust , was brought up on murder charges because of the savage realism of his film.
This is why it is important, nay—the duty of new filmmakers to continue to confront us and make us uncomfortable. Horror, by its very definition, is something uncomfortable, something disturbing, something transgressive. To be clear, I have nothing against comfort horror. There is nothing wrong with returning time and again to the movies we love.
There is power in facing and overcoming these fears and finding comfort in that. The solace found in the familiar is good for us, but it also ceases to hold the same kind of power when we are lulled rather than disturbed. Horror is a call to examination and to action. Comfort rarely stirs us to either.
Wes Craven was particularly articulate on these points. He believed that the first thing the audience should be afraid of is the filmmaker. In other words, we should be uncertain of where they will take us and what dangers they will confront us with.
It is a lesson he learned from Alfred Hitchcock in Psycho , who caught the audience off guard by killing off a star less than halfway through the film. Craven recognized the power that the genre had to tell stories in an entertaining way that could tap into the conscience for social change. It has never bothered me that non-horror fans are critical of the genre. It is perfectly understandable to be repelled by violence and monsters. I find it funny when they are surprised by how well-adjusted, compassionate, and empathetic horror fans tend to be.
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